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Nineteenth century art : a critical history / Stephen F. Eisenman ; [with contributions by] Thomas Crow ... [et al.].

By: Contributor(s): Material type: TextPublication details: London : Thames & Hudson, c2007.Edition: 3rd edDescription: 480 p. : ill. (some col.) ; 28 cmISBN:
  • 0500286833
  • 9780500286838
Subject(s): LOC classification:
  • N6450 .E39 2007
Contents:
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Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Books Library Neapolis University Pafos NUP Main Collection N6450.E39 2007 (Browse shelf(Opens below)) 1 Available 3000200
Total holds: 0

First published in New York in 1994 by Thames & Hudson.

Includes bibliographical references (p. 469-472) and index.

Introduction. Critical art and history -- Classicism and Romanticism. Patriotism and virtue : David to the young Ingres ; Classicism in crisis : Gros to Delacroix / Thomas Crow -- Tensions of enlightenment : Goya -- Visionary history painting : Blake and his contemporaries ; Nature and history in English romantic landscape painting ; Landscape art and romantic nationalism in Germany and America ; Architecture unshackled, 1790-1851 / Brian Lukacher -- New World Frontiers. Old world, new world : the encounter of cultures on the American frontier ; Black and white in America / Francis K. Pohl -- Realism and Naturalism. The generation of 1830 and the crisis in the public sphere -- The rhetoric of realism : Courbet and the origins of the avant-garde -- Photography, modernity, and art / David Llewellyn -- The decline of history painting : Germany, Italy, and France -- Modern art and life. Architecture and design in the age of industry -- Manet and the Impressionists -- Issues of gender in Cassatt and Eakins / Linda Nochlin -- Mass culture and Utopia : Seurat and Neoimpressionism -- The appeal of modern art : Toulouse-Lautrec -- Abstraction and populism : Van Gogh -- Symbolism and the dialectics of retreat --The failure and success of Cézanne.

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